timelets

Because the epistemic value of drawing in science is generally understood in terms of the drawing as an object and not, as is argued at various points in this volume, in the drawing process itself, the unique epistemological value of drawing has become increasingly under-appreciated (Anderson 2014; Tversky 2010; Wittmann 2011). Educationally, this has had costs in terms of student engagement, a deeper understanding of the conventions of scientific representations, and the development of ‘creative reasoning’ (Ainsworth et al. 2011).... A unique advantage of drawing is its double nature as a tool for deepening understanding and for communication. Drawing helps to consolidate ideas, clarify concepts and bring visibility to thought. Drawing can extract and highlight salient information from what is discussed, observed and witnessed, and can be used to communicate and analyze an idea or a concept within a research team or to the broader public.

Drawing Processes of Life, 2024.

Contrary to the common belief that moving images help us to see change, we contend that stillness that helps us to see movement and change. Change is constituted through the relationality of the picture series. The series is a synthesis and analysis of development at once. Development is both the individual form and the series of forms – it is stasis as much as flow. locating development in the images we have created is to imagine development as a pictorial relationship. It is the relationship between the visual forms that produce both the individual stage of development and development as a whole – simultaneously and in mutual dependence (Wellmann 2017: 233).
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The ‘fishness’ of the fish is maintained through the transformations; each stage bears a unique gradation of colour, repetition of the same form seen from different angles and scales, moving forwards, backwards and sideways, creating a feeling of emergence from a dark background. Klee’s watercol- our washes elevate the forms to a resonant poetry.
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The essence of rhythm is the fusion of sameness and novelty; so that the whole never loses the essential unity of the pattern, while the parts exhibit the contrast arising from the novelty of their detail’ (Whitehead in Wellmann 2017: 25).



Quoted from Drawing Processes of Life, 2024

emphasized communicability:

But a second, especially crucial role of models, drawings, and computer graphics is to make explicit a relationship that you have found, enabling other people to see it as well. This often can be done just by making the relevant part a heavier line or a brighter color, or by deleting most of everything else, but it always requires explicit effort.

Richardson, Jane and Richardson, David C. (1992), ‘looking at proteins’, Biophysics Journal, 63, pp. 1186–209.

quoted from Drawing Processes of Life: Molecules, Cells, Organisms. 2024.

Reason is feminine in nature; it can only give after it has received. Of itself it has nothing but the empty forms of its operation.

--- Arthur Schopenhauer.

In the end an edifice of knowledge was erected that nobody had really foreseen or intended. Indeed, it stood in opposition to the anticipations and intentions of the individuals who had helped build it. For Wassermann and his co-workers shared a fate in common with Columbus. They were searching for their own "India" and were convinced that they were on the right course, but they unexpectedly discovered a new "America.
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What they achieved was not even their goal. They wanted evidence for an antigen or an amboceptor. Instead, they fulfilled the ancient wish of the collective: the demonstration of syphilitic blood.

--- Ludwik Fleck, Genesis and Development of a Scientific Fact.

“However, artificial wheels are made separately and then added onto a vehicle, whereas biological wheels would have to grow in situ. How could a freely rotating body part either be linked to the rest of the body through nerves and blood vessels or else function without being so linked?”

Dan Sperber. “The Enigma of Reason: A New Theory of Human Understanding.”